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āĻŦāĻŋāĻœā§āĻžāĻžāύ⧀ āĻœā§€āĻŦāύ⧀ āϏāĻŋāϰāĻŋāϜ : āĻ¸ā§āϟāĻŋāĻĢ⧇āύ āĻšāĻ•āĻŋāĻ‚

āĻšāĻ•āĻŋāĻ‚ āĻĒāϰāĻŋāĻŦāĻžāϰ āϝāĻ–āύ āϏ⧇āĻ¨ā§āϟ āĻ…ā§āϝāĻžāϞāĻŦāĻžāĻ¨ā§āϏ⧇āϰ āĻŦāĻžāĻĄāĻŧāĻŋāϟāĻŋ āϕ⧇āύ⧇āύ āϤāĻ–āύ āϤāĻžāĻĻ⧇āϰ āφāĻ°ā§āĻĨāĻŋāĻ• āĻ…āĻŦāĻ¸ā§āĻĨāĻž āĻ­āĻžāϞāĻžā§‡ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻ…āĻĨāϚ āĻĒ⧁āϰāĻžā§‡āύāĻžā§‡ āφāĻŽāϞ⧇āϰ āĻŦāĻžāĻĄāĻŧāĻŋāϟāĻŋāϕ⧇ āĻ āĻŋāĻ•āĻ āĻžāĻ• āĻ•āϰ⧇ āύāĻŋāϤ⧇ āĻ…āύ⧇āĻ• āϟāĻžāĻ•āĻžāϰ āĻĒā§āϰāϝāĻŧāĻžā§‡āϜāύ āĻ›āĻŋāϞāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĢā§āĻ°ā§āϝāĻžāĻ‚āĻ• āĻšāĻ•āĻŋāĻ‚ āϤāĻž āύāĻž āĻ•āϰ⧇ āĻļ⧁āϧ⧁ āϰāĻ‚āϚāĻ‚ āĻ•āϰ⧇ āĻŦāĻžāĻĄāĻŧāĻŋāϟāĻŋāϕ⧇ āϚāϞāύāϏāχ āĻ•āϰ⧇ āύ⧇āύāĨ¤ āĻŦāĻžāĻĄāĻŧāĻŋāϟāĻŋ āĻŦ⧇āĻļ āĻŦāĻĄāĻŧāĻžā§‡āϏāĻĄāĻŧāĻžā§‡ āĻ›āĻŋāϞ āĻāĻŦāĻ‚ āϏ⧇āĻ–āĻžāύ⧇ āĻ•āĻžāĻœā§‡āϰ āϞāĻžā§‡āϕ⧇āϰ āĻĨāĻžāĻ•āĻžāϰ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻ“ āĻ›āĻŋāϞāĨ¤ āϤāĻĻ⧇āϰ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏ⧇āϰāĻ•āĻŽ āϕ⧋āύāĻžā§‡ āϞāĻžā§‡āĻ•āϜāύ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻŦāĻžāĻĄāĻŧāĻŋāϟāĻŋ āĻĒ⧁āϰāĻžā§‡āύāĻžā§‡ āĻšāϞ⧇āĻ“ āĻŦ⧇āĻļ āĻŽāϜāĻŦ⧁āϤ āĻ›āĻŋāϞ āĻāĻŦāĻ‚ ā§§ā§¯ā§Žā§Ģ āϏāĻžāϞ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻšāĻ•āĻŋāĻ‚ āĻĒāϰāĻŋāĻŦāĻžāϰ āĻ“āχ āĻŦāĻžāĻĄāĻŧāĻŋāϤ⧇āχ āĻŦāϏāĻŦāĻžāϏ āĻ•āϰāϤāĻžā§‡āĨ¤

 


āφāĻŽāĻžāϰ āϛ⧋āϟāĻŦ⧇āϞāĻž

āĻŽāĻžāϝāĻŧ⧇āϰ āĻ•āĻžāϛ⧇ āĻļāĻžā§‡āύāĻž āφāĻŽāĻžāϰ āϖ⧁āĻŦ āĻ›āĻžā§‡āϟāĻŦ⧇āϞāĻžāϰ āĻĻ⧁'āĻāĻ•āϟāĻŋ āĻ—āĻ˛ā§āĻĒ āĻŦāϞāĻŋāĨ¤ āφāĻŽāĻŋ āύāĻžāĻ•āĻŋ āĻŦ⧇āĻļ āĻŦ⧇āĻļāĻŋ āĻŦāϝāĻŧāϏ āĻ…āĻŦāϧāĻŋ āĻŽāĻžāϤ⧃āĻĻ⧁āĻ—ā§āϧ āĻĒāĻžāύ āĻ•āϰāĻŋ āĨ¤ āĻ•āĻŋāϛ⧁āϤ⧇āχ āĻ…āĻ­ā§āϝāĻžāϏāϟāĻž āĻ›āĻžāĻĄāĻŧāĻžāύāĻžā§‡ āϝāĻžāĻšā§āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻāĻ•āĻĻāĻŋāύ āĻŦāĻžāĻŦāĻž āĻ…āύ⧇āĻ• āφāĻĻāϰ āĻ•āϰ⧇ āφāĻŽāĻžāϰ āĻ•āĻžāĻ› āĻĨ⧇āϕ⧇ āϏāĻŽā§āĻŽāϤāĻŋ āĻ“ āĻĒā§āϰāϤāĻŋāĻļā§āϰ⧁āϤāĻŋ āφāĻĻāĻžāϝāĻŧ āĻ•āϰ⧇ āύāĻŋāϞ⧇āύ āϝ⧇ āĻ•āĻžāϞ āĻĨ⧇āϕ⧇ āφāĻŽāĻŋ āφāϰ āĻŦ⧁āϕ⧇āϰ āĻĻ⧁āϧ āĻ–āĻžāĻŦ āύāĻžāĨ¤ āϤāĻžāϰāĻĒāϰ āϝāĻĨāĻžāϏāĻŽāϝāĻŧ⧇ āĻĒā§āϰāϚāĻŖā§āĻĄ āĻ•ā§āώ⧁āϧāĻžāϝāĻŧ āφāĻŽāĻŋ āĻ–āĻžāĻŦāĻžāϰ āϜāĻ¨ā§āϝ āĻ…āĻ¸ā§āĻĨāĻŋāϰ āĻšāϝāĻŧ⧇ āωāĻ āϞāĻžāĻŽāĨ¤ āĻ—āϰ⧁āϰ āĻĻ⧁āϧ āĻĻ⧇āϝāĻŧāĻž āĻšāϞāĻžā§‡ āĻŦāĻžā§‡āϤāϞ⧇ āĻ•āϰ⧇, āĻŽā§āϖ⧇āχ āϤ⧁āϞāϞāĻžāĻŽ āύāĻžāĨ¤ āĻ•āĻžāĻ¨ā§āύāĻž, āĻœā§‡āĻĻ, āĻ…āĻ¸ā§āĻĨāĻŋāϰāϤāĻžāĨ¤ āĻļ⧇āώ⧇ āĻŽāĻž āύāĻŋāϰ⧁āĻĒāĻžāϝāĻŧ āĻšāϝāĻŧ⧇ āĻŦ⧁āϕ⧇āϰ āĻĻ⧁āϧ āĻĻāĻŋāϝāĻŧ⧇āχ āφāĻŽāĻžāϰ āĻ•ā§āώ⧁āϧāĻž āĻŽāĻŋāϟāĻžāϤ⧇ āĻāĻ—āĻŋāϝāĻŧ⧇ āĻāϞ⧇āύ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāĻžāĻ“ āφāĻŽāĻŋ āĻŽā§āϖ⧇ āύ⧇āĻŦ āύāĻž āĨ¤ āĻœā§‡āĻĻ āφāϰ āĻ•āĻžāĻ¨ā§āύāĻž āϏāĻŽāĻžāύ⧇ āϚāϞāϞ āĻ•āĻŋāϛ⧁āĻ•ā§āώāĻŖāĨ¤


āĻšā§‡ āĻ—ā§ā§Ÿā§‡āĻ­āĻžāϰāĻž

āĻĢ⧁āĻĢ⧁ āĻŦāĻŋāϝāĻŧāĻžāĻ¤ā§āϰāĻŋāϏ⧇āϰ āĻŦāĻžāĻĄāĻŧāĻŋāϤ⧇ āĻšā§‡ āĻĒā§āϰāĻžāϝāĻŧāχ āϝ⧇āϤāĨ¤ āϰāĻžāϤ⧇ āĻ–āĻžāĻŦāĻžāϰ āϖ⧇āϤāĨ¤ āϰāĻžāϤ āĻœā§‡āϗ⧇ āĻĒāĻĄāĻŧāĻžāĻļ⧁āύāĻž āĻ•āϰāϤāĨ¤ āĻĢ⧁āĻĢ⧁ āϤāĻžāϕ⧇ āĻŽāĻž’āϰ āϏāĻŽāϤ⧁āĻ˛ā§āϝ āφāĻĻāϰ-āϝāĻ¤ā§āύ āĻ•āϰāϤ⧇āύāĨ¤ āĻ…āĻŦāĻŋāĻŦāĻžāĻšāĻŋāϤ āĻĢ⧁āĻĢ⧁ āĻŦāĻŋāϝāĻŧāĻžāĻ¤ā§āϰāĻŋāϏ āĻ›āĻŋāϞ⧇āύ āϏ⧂āϚāĻŋāĻŦāĻžāϝāĻŧ⧁āĻ—ā§āϰāĻ¸ā§āϤāĨ¤ āĻ•āĻžāϰāĻžā§‡ āϏāĻ™ā§āϗ⧇ āĻšāĻžāϤ āĻŽā§‡āϞāĻžāύāĻžā§‡āϰ āĻĒāϰ āĻšāĻžāϤ āϧ⧁āϝāĻŧ⧇ āĻĢ⧇āϞāϤ⧇āύāĨ¤ āύāĻŋāĻŽā§āύāĻļā§āϰ⧇āĻŖā§€āϰ āϞāĻžā§‡āĻ•āĻĻ⧇āϰ āϏāĻ™ā§āϗ⧇ āĻŽā§‡āϞāĻžāĻŽā§‡āĻļāĻž āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰāϤ⧇āύ āύāĻžāĨ¤ āĻāχ āύāĻŋāϝāĻŧ⧇ āĻšā§‡ āϤāĻžāϰ āĻĢ⧁āĻĢ⧁āϰ āϏāĻ™ā§āϗ⧇ āϖ⧁āĻŦ āĻŽāϜāĻž āĻ•āϰāϤāĨ¤ āϕ⧋āύāĻžā§‡ āĻŽā§‡āϝāĻŧ⧇āϰ āϏāĻ™ā§āϗ⧇ āĻšā§‡’āϰ āĻŦāĻ¨ā§āϧ⧁āĻ¤ā§āĻŦ āĻšāϝāĻŧ⧇āϛ⧇ āĻļ⧁āύāϞ⧇ āϖ⧁āρāϟāĻŋāϝāĻŧ⧇ āϖ⧁āρāϟāĻŋāϝāĻŧ⧇ āϜāĻžāύāϤ⧇ āϚāĻžāχāϤ āĻŽā§‡āϝāĻŧ⧇āϟāĻŋāϰ āϜāĻžāϤ-āĻĒāĻžāϤ āϕ⧀? āĻšā§‡ āϤāĻ–āύ āĻšā§‡āϝāĻŧāĻžāϞāĻŋ āĻ•āϰ⧇ āĻŦāϞāϤ—āύāĻŋāϚ⧁ āĻļā§āϰ⧇āĻŖā§€āϰ āĻŽā§‡āϝāĻŧ⧇āĨ¤ āφāϰ āĻļ⧁āϰ⧁ āĻšāϝāĻŧ⧇ āϝ⧇āϤ āĻŦāĻŋāϝāĻŧāĻžāĻ¤ā§āϰāĻŋāϏ⧇āϰ āĻļāĻžāϏāύ-āĻŦāĻžāϰāĻŖ āĨ¤


āĻŦāĻŋāĻļā§āĻŦāϏāĻ­ā§āϝāϤāĻžāϰ āĻ…āĻ—ā§āϰāύāĻžā§ŸāĻ• : āϏāĻ•ā§āϰ⧇āϟāĻŋāϏ, āĻĒā§āϞ⧇āĻŸā§‹ āĻ“ āĻ…ā§āϝāĻžāϰāĻŋāĻ¸ā§āϟāϟāϞ

āϏāĻ•ā§āϰ⧇āϟāĻŋāϏ⧇āϰ āĻœā§€āĻŦāύ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āϏāĻžāϧāĻžāϰāĻŖ āĻ…ā§āϝāĻžāĻĨ⧇āĻ¨ā§āϏāĻŦāĻžāϏ⧀āϰ āĻŽāϤāĻžā§‡āχ āϏāĻžāϧāĻžāϰāĻŖ āĻ›āĻŋāϞāĨ¤ āĻ…āĻ¨ā§āϤāϤ āĻŦāĻžāĻšāĻŋāϰ āĻĨ⧇āϕ⧇ āĻĻ⧇āϖ⧇ āϏāĻ•ā§āϰ⧇āϟāĻŋāϏ⧇āϰ āĻœā§€āĻŦāύāϧāĻžāϰāĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻžāϧāĻžāϰāĻŖ āĻŽāĻžāύ⧁āώ⧇āϰ āĻœā§€āĻŦāύāϧāĻžāϰāĻžāϰ āϕ⧋āύāĻžā§‡ āĻĒāĻžāĻ°ā§āĻĨāĻ•ā§āϝ āĻŦāĻžā§‡āĻāĻž āϝ⧇āϤ āύāĻžāĨ¤ āϤāĻžāϰ āĻŦāĻŋāĻŦāĻžāĻšāĻŋāϤ āĻĒāĻžāϰāĻŋāĻŦāĻžāϰāĻŋāĻ• āĻœā§€āĻŦāύāĻ“ āĻ›āĻŋāϞ āύāĻŋāϤāĻžāĻ¨ā§āϤāχ āϏāĻžāϧāĻžāϰāĻŖāĨ¤ āϤāĻžāϰ āĻ¸ā§āĻ¤ā§āϰ⧀āϰ āύāĻžāĻŽ āĻ›āĻŋāϞ āϜāĻžāύāĻĨāĻŋāĻĒāĻŋāĨ¤ āĻāĻŽāύ āĻāĻ•āϟāĻŋ āĻ•āĻĨāĻž āĻĒā§āϰāϚāϞāĻŋāϤ āĻ›āĻŋāϞ āϝ⧇, āϏāĻ•ā§āϰ⧇āϟāĻŋāϏ⧇āϰ āĻ¸ā§āĻ¤ā§āϰ⧀ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āĻŦāĻĻāĻŽā§‡āϜāĻžāĻœā§€ āĻ“ āĻāĻ—āĻĄāĻŧāĻžāĻŸā§‡ āĻŽāĻšāĻŋāϞāĻž āĻ›āĻŋāϞ⧇āύāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĒā§āϞ⧇āĻŸā§‹ āϏāĻ•ā§āϰ⧇āϟāĻŋāϏ⧇āϰ āĻœā§€āĻŦāύ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϝāĻž āĻŦāĻ°ā§āĻŖāύāĻž āĻĻāĻŋāϝāĻŧ⧇āϛ⧇ āϏ⧇āĻ–āĻžāύ⧇ āĻāϰ⧂āĻĒ āϕ⧋āύāĻžā§‡ āĻ•āĻĨāĻžāϰ āωāĻ˛ā§āϞ⧇āĻ– āύāĻžāχāĨ¤ āϏāĻ•ā§āϰ⧇āϟāĻŋāϏ āĻ“ āϜāĻžāύāĻĨāĻŋāĻĒāĻŋāϰ āϤāĻŋāύāϟāĻŋ āϏāĻ¨ā§āϤāĻžāύ āĻ›āĻŋāϞāĨ¤ āĻāĻĻ⧇āϰ āύāĻžāĻŽ āĻ˛ā§āϝāĻžāĻ•ā§āϏ⧋āĻ•ā§āϞāĻŋāϏ, āϏāĻĢā§āϰ⧋āύāĻŋāĻŽāĻ•āϏ, āĻŽāĻŋāύāĻŋāĻ•ā§āϞāĻŋāύāϏāĨ¤ āĻŽāύ⧇ āĻ•āϰāĻž āĻšāϝāĻŧ āϏāĻ•ā§āϰ⧇āϟāĻŋāϏ āĻŦ⧇āĻļāĻŋ āĻŦāϝāĻŧāϏ⧇ āĻŦāĻŋāϝāĻŧ⧇ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻ•āĻžāϰāĻŖ, āϏāĻ¤ā§āϤāϰ āĻŦāĻ›āϰ āĻŦāϝāĻŧāϏ⧇ āϝāĻ–āύ āϤāĻžāϕ⧇ āĻŽā§ƒāĻ¤ā§āϝ⧁āĻĻāĻŖā§āĻĄ āĻĻ⧇āϝāĻŧāĻž āĻšāϝāĻŧ āϤāĻ–āύ āϤāĻžāϰ āĻŦāĻĄāĻŧ āϛ⧇āϞ⧇āϟāĻŋ āĻ›āĻŋāϞ āĻāĻ•āϜāύ āĻŦāĻžāϞāĻ•; āφāϰ āĻŦāĻžāĻ•āĻŋ āĻĻ⧁āχāϜāύ āύāĻŋāϤāĻžāĻ¨ā§āϤāχ āĻļāĻŋāĻļ⧁āĨ¤

 


āĻœā§‡āϗ⧇ āωāĻ āϛ⧇ āχāϰāĻžāύ

āĻāĻ•āϜāύ āĻĻāĻ•ā§āώ āĻŦāĻŋāϚāĻžāϰāĻĒāϤāĻŋ, āϞ⧇āĻ–āĻ•, āĻŽāĻžāύāĻŦāϧāĻŋāĻ•āĻžāϰ āĻ•āĻ°ā§āĻŽā§€ āĻāĻŦāĻ‚ āϏāϰāĻ•āĻžāϰ āĻŦāĻŋāϰ⧋āϧ⧀ āĻļāĻŋāϰāĻŋāύ āĻāĻŦāĻžāĻĻāĻŋāϰ āĻ•āĻŖā§āĻ  āύāĻŋāĻœā§‡āϰ āĻĻ⧇āĻļ⧇ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ…āĻĻāĻŋāĻ•āĻžāϰ āφāĻĻāĻžā§Ÿā§‡āϰ āĻĒāĻ•ā§āώ⧇ āϏāĻ°ā§āĻŦāĻĻāĻž āĻ¸ā§āĻĒāĻˇā§āĻ  āĻāĻŦāĻ‚ āϏ⧋āĻšā§āϚāĻžāϰ, āĻāĻŦāĻ‚ āϏ⧇ āωāĻšā§āϚāĻžāϰāĻŖ āĻĻ⧇āĻļ⧇āϰ āϏ⧀āĻŽāĻžāύāĻž āĻĒ⧇āϰāĻŋā§Ÿā§‡ āĻ›ā§œāĻŋā§Ÿā§‡ āĻĒā§œā§‡āĻ›āĻŋāϞ⧋ āĻŦāĻšāĻŋāĻ°ā§āĻŦāĻŋāĻļā§āĻŦ⧇ āĨ¤ āĻāĻ•āϜāύ āύāĻŋāĻŦ⧇āĻĻāĻŋāϤ āĻĒā§āϰāĻžāĻŖ āĻŽāĻžāύāĻŦāĻžāϧāĻŋāĻ•āĻžāϰ āĻ•āĻ°ā§āĻŽā§€ āĻāĻŦāĻ‚ āύ⧋āĻŦ⧇āϞ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āĻŦāĻŋāĻœā§Ÿā§€ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻāĻŦāĻžāĻĻāĻŋ āĻ…āύ⧇āĻ•āϟāĻž āĻāĻ•āĻžāχ āχāϰāĻžāύ āĻāĻŦāĻ‚ āĻ—ā§‹āϟāĻž āĻĒ⧃āĻĨāĻŋāĻŦā§€āϰ āϜāĻ¨ā§āϝ āϏ⧁āĻ¨ā§āĻĻāϰ āφāĻ—āĻžāĻŽā§€āϰ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻž āϜ⧁āĻ—āĻŋā§Ÿā§‡āϛ⧇āύāĨ¤

āĻŦāχāϟāĻŋ āĻŽā§‚āϞāϤ āĻāĻ•āϜāύ āϏāĻžāĻšāϏ⧀ āύāĻžāϰ⧀āϰ āχāϤāĻŋāĻšāĻžāϏ⧇āϰ āĻŦāĻžāρāĻ• āĻĒā§āϰāĻ¤ā§āϝāĻ•ā§āώāϕ⧇āϰ āĻ…āĻŦāĻŋāĻ¸ā§āĻŽāϰāĻŖā§€ā§Ÿ āĻ¸ā§āĻŽā§ƒāϤāĻŋāĻ—āĻžāĻĨāĻžāĨ¤ āϤāĻžāρāϰ āϏāĻšāĻ•āĻ°ā§āĻŽā§€ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āφāχāύāĻœā§€āĻŦāĻŋāϰāĻž āϝ⧇āϏāĻŦ āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āωāĻĻā§āĻĻ⧇āĻļā§āϝāĻĒā§āϰāĻŖā§‹āĻĻāĻŋāϤ, āύāĻžāϰ⧀ āĻāĻŦāĻ‚ āĻļāĻŋāĻļ⧁āĻŦāĻŋāώ⧟āĻ• āĻŽāĻžāĻŽāϞāĻž āϏāĻšā§‡āϤāύāĻ­āĻžāĻŦ⧇ āĻŦāĻ°ā§āϜāύ āĻ•āϰāϤ⧇āύ-āϤāĻŋāύāĻŋ āϏ⧇ āϏāĻŦ āĻŽāĻžāĻŽāϞāĻž āĻĒāϰāĻŋāϚāĻžāϞāύāĻž āĻ•āϰ⧇ āĻŦā§āϝāĻžāĻĒāĻ• āϜāύāĻĒā§āϰāĻŋ⧟āϤāĻž āϞāĻžāĻ­ āĻ•āϰ⧇āύāĨ¤ āĻāĻŦāĻžāĻĻāĻŋ āϤāĻžāρāϰ āĻĒāĻžāĻŦāϞāĻŋāĻ• āĻ•ā§āϝāĻžāϰ⧟āĻžāϰ⧇āϰ āϏāĻŦāĻŋāĻļ⧇āώ āĻŦāĻ°ā§āĻŖāύāĻž āĻĻāĻŋā§Ÿā§‡āĻ›āύ, āύāĻŋāĻœā§‡āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ, āύāĻŋāĻœā§‡āϰ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āĻāĻŦāĻ‚ āϏāĻžāϧāĻžāϰāĻŖ āĻœā§€āĻŦāύāϝāĻžāĻĒāύ⧇āϰ āφāĻ•āĻžāĻ™ā§āĻ•ā§āώāĻžāϏāĻš āĻŦā§āϝāĻ•ā§āϤāĻŋāĻ—āϤ āĻ…āύ⧁āώāĻ™ā§āĻ— āĻšāĻžāϜāĻŋāϰ āĻ•āϰ⧇āϛ⧇āύ āĻŦāχāϟāĻŋāϤ⧇āĨ¤ āφāĻŽāϰāĻž āĻĻ⧇āĻ–āĻŋ , āĻāĻ•āϜāύ āĻŦāĻŋāĻĒā§āϞāĻŦā§€ āĻ•āĻŖā§āĻ āĻ¸ā§āĻŦāϰ āĻāĻŽāύ āĻāĻ•āϟāĻž āĻ­ā§‚āĻ–āĻŖā§āĻĄā§‡āĻ“ āĻ…āϤāĻŋāϏāĻžāϧāĻžāϰāĻŖ āĻœā§€āĻŦāύāϝāĻžāĻĒāύ āĻ•āϰāϛ⧇āύ, āϝ⧇āĻ–āĻžāύ⧇ āĻāϏāĻŦ āĻ•āĻŖā§āĻ  āϰ⧋āϧ āĻ•āϰ⧇ āϚāĻŋāϰāϤāϰ⧇ āĻŦāĻ¨ā§āϧ āĻ•āϰāĻŦāĻžāϰ āĻĒā§āϰ⧟āĻžāϏ āϏāĻ°ā§āĻŦāĻĻāĻž āĻ•āĻžāĻ°ā§āϝāĻ•āϰāĨ¤ āĻāĻŦāĻžāĻĻāĻŋ āύāĻŋāĻœā§‡āϰ āϤ⧇āĻšāϰāĻžāύ⧇āϰ āĻŦāĻžāϞāĻŋāĻ•āĻžāĻŦ⧇āϞāĻž, āĻ—ā§ƒāĻšāĻ¸ā§āĻĨāĻžāϞāĻŋ, āύāĻŋāĻœā§‡āϰ āĻļāĻŋāĻ•ā§āώāĻžāĻœā§€āĻŦāύ āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āĻŦāĻ°ā§āĻŖāύāĻžāϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āχāϰāĻžāύ⧇āϰ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āφāϞ⧋āϚāĻŋāϤ āĻāĻ•āϜāύ āĻŽāĻšāĻŋāϞāĻž āĻŦāĻŋāϚāĻžāϰāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āϏāĻ¤ā§āϤāϰ⧇āϰ āĻĻāĻļāϕ⧇āϰ āĻŽāĻžāĻāĻžāĻŽāĻžāĻāĻŋ āϏāĻŽā§ŸāĻ•āĻžāϰ āύāĻŋāĻœā§‡āϰ āĻĒ⧇āĻļāĻžāĻ—āϤ āĻœā§€āĻŦāύ⧇āϰ āĻ•āĻŋāϛ⧁ āϏāĻĢāϞāϤāĻžāϰ āĻŦāĻ°ā§āĻŖāύāĻž āĻĻāĻŋā§Ÿā§‡āϛ⧇āύ āĻŦāχāϟāĻŋāϤ⧇āĨ¤ ⧧⧝⧭⧝ āϏāĻžāϞ⧇āϰ āχāϰāĻžāύ⧇āϰ āĻŦāĻŋāĻĒā§āϞāĻŦ⧇āϰ āĻ­āĻžāĻŦāϧāĻžāϰāĻžāϰ āĻŦāĻ°ā§āĻŖāύāĻž āĻĻāĻŋā§Ÿā§‡āϛ⧇āύ āϏ⧁āύāĻŋāĻĒā§‚āύāĻ­āĻžāĻŦ⧇, āĻāĻ•āχ āϏāĻ™ā§āϗ⧇ āĻ•āĻŸā§āϰāϰāĻĒāĻ¨ā§āĻĨā§€ āĻŽā§‹āĻ˛ā§āϞāĻžāĻĻ⧇āϰ āĻšāĻžāϤ⧇ āĻĒā§œā§‡ āχāϰāĻžāύ⧇āϰ āϏāĻŽāĻžāϜāĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāϰ āĻ•āϰ⧁āύ āĻĒāϰāĻŋāĻŖāϤāĻŋāϰ āĻŦāĻŋāϰ⧋āϧāĻŋāϤāĻž āĻ•āϰ⧇āϛ⧇āύāĨ¤ āĻāĻ•āĻĻāĻŋāύ āϝ⧇ āĻŦāĻŋāϚāĻžāϰ āĻŦāĻŋāĻ­āĻžāϗ⧇āϰ āϤāĻŋāύāĻŋ āĻĒā§āϰāϧāĻžāύ āĻ›āĻŋāϞ⧇āύ, āϧāĻ°ā§āĻŽāϤāĻžāĻ¨ā§āϤāĻŋāĻ• āĻĒā§āϰāĻļāĻžāϏāύ āĻ•āĻ°ā§āϤ⧃āĻ• āĻŦāĻŋāϚāĻžāϰāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŽāĻšāĻŋāϞāĻžāĻĻ⧇āϰ āĻ…āϝ⧋āĻ—ā§āϝ āĻ˜ā§‹āώāĻŖāĻž āĻ•āϰāĻžāϰ āĻĒāϰ āϕ⧀āĻ­āĻžāĻŦ⧇ āϤāĻžāρāϕ⧇ āĻ…āĻĒāĻĻāĻ¸ā§āĻĨ āĻ•āϰ⧇ āĻ“āχ āĻāĻ•āχ āĻŦāĻŋāĻ­āϗ⧇āϰ āϕ⧇āϰāĻžāύāĻŋ āĻ•āϰāĻž āĻšā§Ÿ, āϏ⧇ āϘāϟāύāĻžāϰ āĻŦāĻŋāĻŦāϰāĻŖ āĻĻāĻŋā§Ÿā§‡āϛ⧇āύ āϤāĻŋāύāĻŋāĨ¤ āχāϰāĻžāύ⧇āϰ āϝ⧇ āĻĒ⧁āϰ⧁āώāϤāĻ¨ā§āĻ¤ā§āϰ āύāĻžāϰ⧀āĻĻ⧇āϰ āĻŽā§ŒāϞāĻŋāĻ• āĻ…āϧāĻŋāĻ•āĻžāϰ āĻāĻŦāĻ‚ āϏāĻžāϧāĻžāϰāĻŖ āϜāύāĻ—āϪ⧇āϰ āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āĻ¸ā§āĻŦāĻžāϧ⧀āύāϤāĻž āĻšāϰāĻŖ āĻ•āϰ⧇āϛ⧇, āϤāĻŋāύāĻŋ āϤāĻžāϰ āϤ⧀āĻŦā§āϰ āĻĒā§āϰāϤāĻŋāĻŦāĻžāĻĻ āĻ•āϰ⧇āύāĨ¤


āφāĻŽāĻžāϰ āĻĒāĻŋāϤāĻžāϰ āĻ¸ā§āĻŦāĻĒā§āύ āĻĨ⧇āϕ⧇ : āĻŦāĻ°ā§āĻŖ āĻāĻŦāĻ‚ āωāĻ¤ā§āϤāϰāĻžāϧāĻŋāĻ•āĻžāϰ⧇āϰ āĻ—āĻ˛ā§āĻĒ

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Playing It My Way

‘My Autobiography : Playing It My Way’ Book Contents
Acknowledgements – ix
Prologue – 1
1. Childhood – 3
2. Learning the Game – 14
3. My First Tour – 33
4. Foreign Conditions – 49
5. Anjali – 73
6. Years of Consolidation – 84
7. World Cup 1996 – 108
8. Captaincy - The First Stint – 119
9. A Four-Month Honeymoon – 139
10. Tumultuous Times – 157
11. The Best Series Ever – 186
12. Standing Up for Myself – 197
13. A Glorious English Summer – 205
14. World Cup 2003 – 219
15. Away Wins – 237
16. Under the Knife – 255
17. ‘Endulkar’ – 267
18. Bad Language – 274
19. Bouncing Back – 293
20. The IPL – 308


When Breath Becomes Air

At the age of thirty-six, on the verge of completing a decade’s worth of training as a neurosurgeon, Paul Kalanithi was diagnosed with stage IV lung cancer. One day he was a doctor treating the dying, and the next he was a patient struggling to live. And just like that, the future he and his wife had imagined evaporated. When Breath Becomes Air chronicles Kalanithi’s transformation from a naïve medical student “possessed,” as he wrote, “by the question of what, given that all organisms die, makes a virtuous and meaningful life” into a neurosurgeon at Stanford working in the brain, the most critical place for human identity, and finally into a patient and new father confronting his own mortality.


Educated: A Memoir

Born to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University. Only then would she wonder if she’d traveled too far, if there was still a way home.


The Complete Personal Memoirs of Ulysses S. Grant

The complete personal memoirs of the 18th President of the United States and chief Union General during the American Civil War, Ulysses S. Grant.


The Third Plate: Field Notes on the Future of Food

Today’s optimistic farm-to-table food culture has a dark secret: the local food movement has failed to change how we eat. It has also offered a false promise for the future of food. In his visionary New York Times–bestselling book, chef Dan Barber, recently showcased on Netflix’s Chef’s Table, offers a radical new way of thinking about food that will heal the land and taste good, too. Looking to the detrimental cooking of our past, and the misguided dining of our present, Barber points to a future “third plate”: a new form of American eating where good farming and good food intersect. Barber’s The Third Plate charts a bright path forward for eaters and chefs alike, daring everyone to imagine a future for our national cuisine that is as sustainable as it is delicious.


Hit Refresh: The Quest to Rediscover Microsoft's Soul and Imagine a Better Future for Everyone

The New York Times bestseller Hit Refresh is about individual change, about the transformation happening inside of Microsoft and the technology that will soon impact all of our lives—the arrival of the most exciting and disruptive wave of technology humankind has experienced: artificial intelligence, mixed reality, and quantum computing. It’s about how people, organizations, and societies can and must transform and “hit refresh” in their persistent quest for new energy, new ideas, and continued relevance and renewal.


A Thousand Splendid Suns

The title of the book is an inspiration from a line in the poem "Kabul" by the 17th-century Iranian poet Saib Tabrizi. This novel is set in Afghanistan from the early 1960s to the early 2000s. This period saw some of the ugliest phases in Afghanistan as it witnessed the Russian invasion, Taliban rule and American intervention. It revolves around two women, Mariam and Laila, who have contradictory attitudes and very little in common. However, a series of unfortunate events and dramatic changes intertwine their lives and their subsequent friendship and support for each other is the gest of this book. Khalid Hosseini takes us through an unforgettable journey of war, misery, troubles, losses and ultimately the divine fate. Along with these two brave women, the hardcore Pashtun, Rasheed give a different angle to this saga. On a wider perspective, 'A Thousand Splendid Suns’ is a contemporary reflection of Afghani women and their womanhood.


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